The Subli, a religious folk dance predominantly observed in Batangas, Philippines, finds its origins in Bauan and Alitagtag. Widely practiced across the province’s southwestern region of Luzon, it serves as a Catholic devotional ritual, often regarded as a “prayer,” venerating the Holy Cross of Alitagtag.
Traditionally performed during the Feast of the Mahal na Poon on May 3rd, the dance is also performed during secular occasions such as parties, concerts, etc. Derived from the Tagalog words “subsob” (meaning “bent,”) and “bali” (also signifying “bent” or “broken”), the name “sublî” reflects the distinctive posture assumed by male dancers. Both men and women dancers, known as “manunubli” (meaning “those who subli”), execute the dance in pairs and diverse formations.
This Subli music was composed by Juan Solos, Jr. for the 1953 collection of Francisca Reyes Aquino’s “Philippine Folk Dances by Juan Silos”.
My [digital] orchestral adaptation of this music , with lyrical contributions from my friend, Vic Omila, Jr., was incorporated into a production segment for Sampaguita Ball hosted by the Philippine Cultural Foundation, Inc. in Tampa, Florida in 2019. It was skillfully executed by the Philippine Performing Arts Company, Philippine Choral Group, and the Musikong Kawayan Bamboo Ensemble.
Music by Juan Silos, Jr.
Music arrangement by Nhick Ramiro Pacis
Words by Vic Omila, Jr.
Vocals recorded by Connie Chanrasmi, Vic Omila Jr. and Nhick Ramiro Pacis
Orchestral library used:
Spitfire Audio Symphony Orchestra
Alicia’s Keys
Custom angklung samples
For music score (SAB and piano only), please contact me!
